Showing posts with label Resurrection. Show all posts
Showing posts with label Resurrection. Show all posts

Wednesday, September 25, 2019

Frodo // A Character Sketch

(I wrote this as a guest post for the great LOTR read-along a few years ago. Thanks for letting me repost, Hamlette! :))


When first we hear of Frodo son of Drogo, he is an orphan. Brought up among the ‘queer Bucklanders’ and considered by many to be more than half a Brandybuck, he is being adopted by Bilbo as his future heir. Observant and clear-sighted, he is a lover of beauty, and also of maps and of elves, a ‘perky chap with a bright eye’ whom both Bilbo and Gandalf think the ‘best hobbit in the Shire.’


(Note, I still haven’t watched the movies, so I’ll be discussing all this as it appears in the books.)

With his rich inheritance comes the great and dreadful Ring. Gandalf had said of the Ring, in his first long discussion with Frodo near the beginning, ‘It is far more powerful than I ever dared to think at first, so powerful that in the end it would utterly overcome anyone of mortal race who possessed it. It would possess him.’ Of hobbits he said, ‘Among the Wise I am the only one that goes in for hobbit-lore: an obscure branch of knowledge, but full of surprises. Soft as butter they can be, and yet sometimes as tough as old tree-roots. I think it likely that some would resist the Rings far longer than most of the wise would believe.’


A bit farther on, Gollum’s name enters the conversation. At this point, if we’re picturing the Frodo we know from later, his first reaction may be a bit startling. ‘Gollum!’ cried Frodo. ‘Gollum? Do you mean that this is the very Gollum-creature that Bilbo met? How loathsome!’ ‘I think it is a sad story,’ said the wizard, ‘and it might have happened to others, even to some hobbits that I have known.’ ‘I can’t believe that Gollum was connected with hobbits, however distantly,’ said Frodo with some heat. ‘What an abominable notion!’ And farther still, ‘What am I to do? What a pity that Bilbo did not stab that vile creature, when he had a chance!’ ‘Pity? It was Pity that stayed his hand. Pity, and Mercy: not to strike without need.’ …‘I am sorry,’ said Frodo, ‘But I am frightened; and I do not feel any pity for Gollum.’ ‘You have not seen him,’ Gandalf broke in. ‘No, and I don’t want to,’ said Frodo, ‘I can’t understand you. Do you mean to say that you, and the Elves, have let him live on after all those horrible deeds? Now at any rate he is as bad as an Orc, and just an enemy. He deserves death.’

When he realizes what must be done about the Ring he says, ‘I do really wish to destroy it! …Or, well, to have it destroyed. I am not made for perilous quests. I wish I had never seen the Ring! Why did it come to me? Why was I chosen?’ Nevertheless, he sets out -- going through hard adventure and dread fear and frightful pain to Rivendell, and once there, voluntarily takes on the further horrific task.


He is called to a mission, a mission stressing with horrible intensity the very places where he most needs change, and -- shaped by grief and pain and the weight of his burden -- he does change. The Frodo who meets Gollum above the Dead Marshes is a very different Frodo from the Frodo at the beginning. Grown in wisdom, he has learned the place of mercy, and knows also that the dealing out of final judgment -- final doom -- is not his.


He has grown in wisdom and mercy, but at the same time, he is desperately fighting the growing power of the Ring. We see a lot of this through the eyes of dear, faithful Sam. As, in torment and travail, they near Mount Doom, Sam ‘guessed that among all their pains he (Frodo) bore the worst, the growing weight of the Ring, a burden on the body and a torment to his mind.’ Twice, he tries to fight Sam off. The second time, ‘A wild light came into Frodo’s eyes. ‘Stand away! Don’t touch me!’ he cried. ‘It is mine, I say. Be off!’ His hand strayed to his sword-hilt. But then quickly his voice changed. ‘No, no, Sam,’ he said sadly. ‘But you must understand. It is my burden, and no one else can bear it. It is too late now, Sam dear. You can’t help me in that way again. I am almost in its power now. I could not give it up, and if you tried to take it I should go mad.’


So we come to Mount Doom -- and to his claiming of the Ring and the final reappearance of Gollum. Frankly, this part always bothered me until recently. But lately, I’ve begun to see just how exciting it is. First off, if Frodo had somehow managed to drop the Ring into the fire himself (as well as trivializing the danger) we would have much more of a straight-forward allegorical tale with him as the central Christological figure. Instead, we have (at least) two other major Christ-type figures, with all of them together contributing to a much fuller, richer glimpse and a tale of marvelous depth and complexity.


Second: initially, Frodo was sent on an almost hopeless errand, not knowing (if he even reached the mountain) how he would ever gain the strength and will-power to destroy the Ring. Yet the conflict isn’t resolved by deux ex machina, either. Gollum was shown mercy over and over again -- by Bilbo, Aragorn, Gandalf, Frodo, Sam, and even Faramir -- all with the idea that he had yet a purpose to fulfill and offering further opportunity for repentance. He was under oath to both Frodo and Faramir against treachery. ‘Then I say to you,’ said Faramir, turning to Gollum, ‘you are under doom of death; but while you walk with Frodo you are safe for our part. Yet if ever you be found by any man of Gondor astray without him, the doom shall fall. And may death find you swiftly, within Gondor or without, if you do not well serve him.’ Frodo had earlier warned him that a similar oath on the Ring would twist him to destruction.


So the mission incredibly succeeds -- succeeds as themes of wisdom and mercy flash brilliantly into focus, and a divine, overarching doom falls. From Sam again, ‘Well, this is the end, Sam Gamgee,’ said a voice by his side. And there was Frodo, pale and worn, and yet himself again, and in his eyes there was a peace now, neither strain of will, nor madness, nor any fear. His burden was taken away. There was the dear master of the sweet days in the Shire. ‘Master!’ cried Sam, and fell upon his knees. In all that ruin of the world for the moment he felt only joy, great joy. The burden was gone. His master had been saved; he was himself again, he was free.’


Here we come to a really interesting point. Frodo had to be saved. Now again in some ways (his burden-bearing for others, the royal temptations he faces, the pain and the anguish, the knife-wound, and the chilling, torturing, death-like experiences, etc.), Frodo can definitely be seen as a Christ-type figure. But -- while all that is absolutely true -- I think it equally true that he could just as well be a picture of us. I’ve also come to the conclusion that, of any of the characters within the story, he might actually best be compared to Boromir. Both are strong and honorable yet stumble at the same temptation, both are saved by grace and repentance (also seeing their actions clearly), and both are treated afterwards as being no less worthy of all honor and respect. And both see something through all the way to the end of their road, though death (in metaphor or reality) lies at the end of it.


Finally, on the slopes of Orodruin, surrounded by spewing flames and shattering earth, Frodo (and Sam) lie prostrate, starving and thirsting. And against all hope they are saved. The eagles come, bearing Gandalf, and they are brought out of fire and death and the tumult of destruction. Awaking in a place of dappled sunlight and cool green shade, they find themselves in the garden of Gondor and in the keeping of the King -- of the King who has tended and saved them -- of the King whose crown Frodo later bears.


Frodo, a richly adopted heir is, in the fullness of time, given and called to a task. A humble being, fighting and winning and losing against temptation (and yet succeeding because of the wisdom and mercy he has learned), he is led by his calling on a path of sufferings and death and darkness. And he is brought out again to glory -- to light and to joy, to a place of fresh raiment and song. Brought with a multitude of others to a place of piercing joy, to ‘regions where pain and delight flow together and tears are the very wine of blessedness.’ And to a place where -- crowned with circlets of silver -- he and Sam are led with high praise to seats of honor at the King’s table.

~     ~     ~

Thanks for reading -- I'd love to hear your thoughts. :) And again, be sure to check out all the other lovely posts at The Edge of the Precipice!

Monday, September 23, 2019

Faramir // A Character Sketch


It's the 7th Annual Tolkien Week over at Hamlette's The Edge of the Precipice -- YAY! So excited!! 

Note: I first wrote this as a guest post during one of Hamlette's read-alongs a few years ago and she kindly let me repost here for the party. Enjoy and looking forward to hearing your thoughts! (P.S. Most of the pictures in this post are by some talented computer artists courtesy of Google. Make sure to right click on them to see the title and artist. Also, YES. I know it's not the Hobbit here and there aren't any dragons as such in LOTR, but I loved the colors of all these and thought they captured the fear of the Nazgul. So just forestalling any objections. ;D)
~     ~     ~


Faramir... I can still remember piecing together who this ‘grave young man’ was ‘whose words seemed so wise and fair’ as my father was reading The Lord of the Rings aloud for the first time (that I can remember, that is). I must have been about eight and I can still remember the thrill when I realized he and Boromir were related.

So many people like Faramir, but what makes him such a wonderful character? (Second note: I haven’t watched the movie, so in the following I’ll be discussing him as he appears in the book.)


When first we meet him in Ithilien, he is both rough and commanding, but his courtesy is soon set beyond a doubt. When interrogating Frodo (much to Sam’s displeasure) he is ‘stern and commanding’ with ‘a keen wit behind a searching glance.’ He says, ‘I do not slay man or beast needlessly, and not gladly even when it is needed. Neither do I talk in vain.’ A man taking time for thought, refusing to act in haste, he is quick and decisive in action. ‘I will not decide in haste what is to be done. Yet we must move hence without more delay.’ He sprang to his feet and issued some orders.’


Weighing his words, he is a truth-teller, ‘I would not snare even an orc with a falsehood.’ He doesn't immediately let out all he knows -- parrying and questioning Frodo before telling what he himself already knew of Boromir -- guarding his words when speaking with his father -- waiting -- knowing what to speak when the time comes ripe; revealing the better part of wisdom.


Faramir seems to have the ‘long-sight’ associated with the blood of Westernesse, for Gandalf says of Denethor, ‘Whatever be his descent from father to son, by some chance the blood of Westernesse runs nearly true in him; as it does in his other son, Faramir... He has long sight. He can perceive, if he bends his will thither, much of what is passing in the minds of men... It is difficult to deceive him, and dangerous to try.’ Earlier, in the cave of Henneth Annûn, ‘Slowly Gollum raised his eyes and looked unwillingly into Faramir’s. All light went out of them, and they stared bleak and pale for a moment into the clear unwavering eyes of the man of Gondor...‘There are locked doors and closed windows in your mind, and dark rooms behind them,’ said Faramir. ‘But in this I judge that you speak the truth.’ Later, first encountering Éowyn, ‘...he was moved with pity, for he saw that she was hurt, and his clear sight perceived her sorrow and unrest.’

Gentle and yet stern, he is patient and long-suffering with the wayward and headstrong -- Boromir, Éowyn, his father. Amazing in how it’s done (especially as it’s understated -- and in Boromir’s case we never see them together), but we never doubt his great love for both father and brother.


A courageous leader, his men give him their love and trust. Beregond says of him, ‘Things may change when Faramir returns. He is bold, more bold than many deem; for in these days men are slow to believe that a captain can be wise and learned in the scrolls of lore and song, as he is, and yet a man of hardihood and swift judgment in the field.’ Éowyn ‘looked at him and saw the grave tenderness in his eyes, and yet knew, for she was bred among men of war, that here was one whom no Rider of the Mark would outmatch in battle.’


In the cave of Henneth Annûn, when the Ring itself comes within his grasp, he withstands its lure, saying, ‘I am wise enough to know that there are some perils from which a man must flee.’ Later Sam says, ‘You took the chance, sir.’ ‘Did I so?’ said Faramir. ‘Yes sir, and showed your quality: the very highest.’ Faramir smiled, ‘...Yet there was naught in this to praise. I had no lure or desire to do other than I have done.’ Perhaps, at first glance, a little disappointing -- we might like him to have more of an internal battle before relinquishing his opportunity -- but in fact, evidence of the highest quality indeed. Authority sits easily on him, but he does not desire ultimate power. He does not desire it because -- above all -- he is a valorous servant.


In his valor and courage, he yet knows weakness and grief. As he lies near death, Aragorn reads his hurt as, ‘Weariness, grief for his father’s mood, a wound, and over all the Black Breath... He is a man of staunch will, for already he had come close under the Shadow before ever he rode to battle on the out-walls. Slowly the dark must have crept on him, even as he fought and strove to hold his outpost.’


Captain of the White Tower -- Steward of Gondor -- a servant of the king and passing through death in his service -- he is healed and brought back to life by that King. ‘Suddenly Faramir stirred... and he looked on Aragorn who bent over him; and a light of knowledge and love was kindled in his eyes, and he spoke softly. ‘My lord, you called me. I come. What does the king command?’ ‘Walk no more in the shadows, but awake!’ said Aragorn, ‘You are weary. Rest a while, and take food, and be ready when I return.’ ‘I will, lord,’ said Faramir. ‘For who would lie idle when the king has returned?’


Joy, obedience, and valorous service... A wise and daring servant, he is exalted in honor. May we strive to live likewise with the same end in view -- the heart-fulfilling, soul-satisfying commendation of our King.

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More coming later in the week and be sure to check out the party and the rest of the entries over on Hamlette's blog!

Friday, April 26, 2019

Celebratory Easter Ideas


I missed posting this last week, but I figured since we’re still in the Easter season and some of these ideas might be interesting/worth putting more thought into for next year, we’d just go for it. So here ye are. (For my first post on this, you can click here.)

Now for the further discussion of presents.

And celebratory things in general.

And the presents. ;)

But first, decorations.

After all the twinkly lights at Christmastide it’s always a downer to go to nothing at all in January, so this year around Epiphany (Jan 6th)/the end of the 12 days of Christmas, I switched out and put up some different white string lights in our living room and running down the hallway, both of which tend to get a little dark in the winter anyway. I really like the idea of having them up through Easter and Ascension Day. It creates a nice ambiance and has actually served as a really good daily reminder of the forward march of the church calendar.

Oh, and I also got some neat lanterns last year I love and… forgot to pull out this year. (The consequence of having things, neatly organized of course! ;D, but in multiple places due to ongoing construction. At least that’s what I’m blaming it on. ;))

I’ve been thinking a lot about imagery to do with the Tree of Life. I know there’s debate about Christmas trees (personally, we stand firmly cheering Boniface), but either way the evergreens are a symbol of eternal life, etc. This might be obvious, but when I was little I remember being kinda disappointed when reading Genesis that we never got to hear much more on the Tree of Life and then I distinctly remember the thrill when I was around twelve or so and realized it's really the whole point. The Tree of Life runs through every chapter, looming large and shaping the entirety of the story of creation and redemption. From Genesis through Ezekiel and on to Revelation 22 wherein we find the tree whose leaves are for the healing of the nations.


And of course -- spilling out from this -- garden (and mountaintop) imagery is typologically apt: with Christ as the New Adam, Christ rising in the garden, the world becoming a garden, etc. etc.

Fresh flowers are always lovely. And I’m not generally too keen on silk flowers (cause they can get dusty so quickly), but I have invested in some realistic looking wisteria and rose garlands (ivy’s also nice). I’m hoping if I keep them boxed up they’ll last for quite a few years and be something of a family tradition to pull out.

Now to the feasting.

As always, I think we should give some thought to hospitality. (And I don't want to send a critical message re different preferences, situations, etc. -- we're just trying to get the thought wheels spinning here.) It does seem that folks tend to expect more of a family dinner holiday (i.e. like Thanksgiving -- I mean you might have other folks over too, but the general emphasis seems to be on family). And the day IS very specifically joy for believers and condemnation and fear for those who are not. But if Christ rose from the dead the world should be hearing about it. Our neighbors should be hearing about it. And step one, we should most definitely be warmly inviting and welcoming in our fellow Christian brothers and sisters.


Of course, when thinking about evangelizing, we want to be winning our neighbors. Not making them uncomfortable on the one hand or making light of the glorious feast day on the other. So cookies at their gate or doorstep is always a great initial idea too. And the cookies don’t have to have a message. The idea is that it’s an unexpected gift and it’s to get people thinking. Surprise them.

Another idea I’d really like to try is singing at nursing homes. We’ve done caroling around Christmastime (which is great), but I think it could be a particular Resurrection Day blessing as well.

And if you have an extra day of family time around Easter maybe a special outing... a trip to the zoo, day in the mountains, cave visit, water and sand time at the ocean, or even a fun backyard picnic. Something memorable and un-everday-ish.

And the presents.

I’m so happy some of you liked my thoughts on gifts in the last post. I really loved hearing from you! :)


The little Princess got some books I’ve had on hand and been wanting to give her for a while: A Time to Keep by Tasha Tudor and Flower Fairies of the Spring and Autumn by Cecily Mary Barker. I found the sweet wooden puzzle on eBay and the fairytale dress on Amazon. I’m really excited about the dress so sharing the link here. Y’know usually the play dresses end up being kinda itchy, but the tulle on this one is so soft and the top is cotton -- nice medium weight cotton. And it’s not $50, much less than $50 in fact, coming in to just about what the fabric cost would be.

So there you go. What d’ye think? I’d love to hear more of y’alls great ideas!

Saturday, April 6, 2019

On Easter Baskets and the Concrete Reality of the Resurrection


(First off, I’ve been watching a lot of Jeeves and Wooster lately, so certain phrases keep bubbling to the surface. Consider y’selves forewarned.)

Let's jump right in.

I’ve been thinking about Easter a lot. As a church festival I feel it often has a way of falling by the wayside the slightest bit. But as Protestants to the backbone, who believe in joyously hearty feast days and letting the church calendar (chronicling major events in the life of Christ specifically) shape our days and souls, there’s a rich mine here to be explored. It's like Advent, Christmas, Epiphany, Palm Sunday, Good Friday and Easter, leading to the culmination of Ascension Day and ultimately rounding out with Pentecost -- are each a golden jewel, strung perfectly together, each lending fuller meaning and deeper understanding to the others. We need Christmas -- with its celebration of the full Godhead and humanity of Christ, the Light breaking into the darkness, pointing from the very beginning to the Cross -- and we need Easter, Christ's vindication and full rising in the flesh.

Yet while Easter’s a tremendous culmination, I’ve been puzzling over why it feels more ethereal than the others. Of all of the events it’s the most startling. The disciples were stunned and downright terrified. The earth quaked, a huge boulder rolled, rough blood stained Roman soldiers lay knocked out. All of this is a far cry from cutesiness.

Resurrection. New life. New creation. A restoration to the garden of Eden. Ezekiel’s river running out of the new temple and the entire world becoming a garden. Lucy’s loveliest of lovely stories in The Voyage of the Dawn Treader is something like it -- for the refreshment of the spirit. Or like the moment when Shasta bends to drink clear spring water from Aslan’s paw print.

“…after one glance at the Lion’s face he slipped out of the saddle and fell at its feet. He couldn’t say anything but then he didn’t want to say anything, and he knew he needn’t say anything.

“The High King above all kings stooped towards him. Its mane, and some strange and solemn perfume that hung about the mane, was all round him. It touched his forehead with its tongue. He lifted his face and their eyes met. Then instantly the pale brightness of the mist and the fiery brightness of the Lion rolled themselves together into a swirling glory and gathered themselves up and disappeared. He was alone with the horse on a grassy hillside under a blue sky. And there were birds singing.

“…‘Was it all a dream?’ wondered Shasta. But it couldn’t have been a dream for there in the grass before him he saw the deep, large print of the Lion’s front right paw. It took one’s breath away to think of the weight that could make a footprint like that. But there was something more remarkable than the size about it. As he looked at it, water had already filled the bottom of it. Soon it was full to the brim, and then overflowing, and a little stream was running downhill, past him, over the grass.

“Shasta stooped and drank -- a very long drink -- and then dipped his face in and splashed his head. It was extremely cold, and clear as glass, and refreshed him very much. After that he stood up, shaking the water out of his ears and flinging the wet hair back from his forehead, and began to take stock of his surroundings.”

I’m not directly equating Narnia and Easter at the moment, but it’s making me think more on the tone I want to foster in our home. Through all responding to the lavish goodness of God. Mystery, passion, wonder, and intense love.

And so now we get to the presents. If all our feast days are celebrating Christ’s tangible coming in the flesh, then I think (somewhere) there should be presents. And if Easter is a culmination in and of itself, snowballing to more and more glories, we need to think how to live this out in real earnest.

The world really doesn’t know how to embody the feast day. Because there’s no Santa Claus etc., from what I’ve read it tends to get lumped in more with the likes of Valentines Day. So we get left with people doing all sorts of rather confused buying, egg hunts, and Easter baskets.

I’ve never been crazy about Easter baskets. Not that there’s anything wrong with the colorful things. It’s just kinda hard to get super excited about plastic eggs and chocolate flavored candies. (Bitter, I know. Acerbic even. ;)) It’s not particularly even the whole goddesses and pagan bunnies thing (though of course that’s an issue). It’s that it’s all too cute. We do emphatically believe God created all the sweet, cuddly things of creation -- puppies and kittens and bunnies and downy ducklings. But when it comes to the great church festivals, I think we must be militantly beware of cuteness. (We can use it, we should just be very certain why we’re doing it.)

I’ve quoted this from The Christian Imagination before, but it’s worth highlighting again: “To many North Americans… Christianity seems soppy. That is because they have not seen the real goods. True Christian imaging meets violence head-on, mine and the world’s, but also God’s. The Christian imagination… must face the reality of Job’s cry, the cry of God’s crucifixion, and of our participation in it. Once this is recognized, faith becomes not only possible, but necessary; it can never again be rose-water belief in Santa Claus.”

So back to the presents.

First off, we’re not talking about breaking the bank. They can be homemade. Or maybe the Christmas budget could be adjusted and some of the gifts saved for Easter. And (if you watch how many things come in your house) this can still have a minimal approach as well. It’s in choosing things very intentionally.

When it comes to children particularly, and thinking on our new white garb in Christ, I love the idea of a new spring/summer church dress for girls. This could work just as well (and might carry nice emphasis) with new pants and a shirt for the little guys too. And this could fit right in too with a smaller, manageable wardrobe. They just wait to get their new things till Easter and then wear them consistently thereafter.

It can be something they need. (One sweet YouTuber mom I've enjoyed watching suggests giving their new swim outfit for the year.) Or a beautiful picture book. Or perhaps something children will share (new play dough or some sort of play set etc, etc). If you’re into games, maybe a new card or board game for the entire family. The idea is to give appropriate weight to it. And (this is a thought experiment) but thinking through the wrapping and presentation. Something wrapped up is most definitely a present -- a surprise. (Or on the other hand maybe an entirely different approach. There’re all sorts of creative presentation ideas out there. The idea is to think on it.)
 
So there ye are!

I’d really love to hear all your thoughts and if you’re interested in a follow up (including what the Little Princess is receiving this year along with a few home decorations and other ideas) let me know and I’ll try and whip my ideas into some sort of shortish crystallized word form. ;)

Have a lovely evening one and all!

Thursday, June 30, 2016

Movie Review // The Music Man (2003) with Matthew Broderick and Kristin Chenoweth


Hello everyone!

Glorious, wonderful, amazing, emotional, rollercoaster ups and downs of engagement and wedding planning notwithstanding, I’m determined to get as close as I possibly can to finishing Miss Laurie’s period drama challenge (up this Saturday!). (Especially as I mostly have everything all in my head, the words are just begging for a few somehow unemployed minutes on my laptop to spill out and form some sort of coherency.)


Which leads us into our actual review here for one of my very favorite musicals. (Incidentally, reviewing it at the moment is actually very fitting as it’s something that’s helped me through a couple tough spots in the last few years and as it’s also tied more than a little into all the wedding planning.) And the story takes place over the course of the three weeks between Flag Day (June 14th) and the 4th of July. So it’s the absolutely perfect time.

Now where to actually start?


First, to get the quick FYI negatives out of the way, the language etc. is all very clean, but there are a couple inappropriate uses of God's name, particularly in the song Iowa Stubborn (so we usually just skip that one). And now for some background. I have indeed seen the 1962 version as well and I won’t spend much time on all that (as this isn’t about all the reasons why I didn’t/don’t like the ’62), but suffice to say, this one fixed every single thing I didn't like in that one and I love it!! Indeed (with a surprise twist at the end), I think they made it five times better. Which is also why the story jumped from the bottom of the scale to become one of my tip top favorites. 

From beginning to end it’s just so happy


As aforementioned, it happens in June 1912, right at the tail end of the Edwardian period, with an absolute wealth of delicious colors and incredible styles. Some of them are a bit stylized, but the costuming altogether -- textures, colors etc. -- is just breathtaking. Not to mention the hats. Those are stunning.


I feel like Kristin Chenoweth’s acting as Marian takes a bit of getting used to, but the story pulls you in and altogether she does a very nice job. I really like how they change her make-up and dresses over the course of the film, too, highlighting how she changes -- warming and softening. And her voice is incredible.



One aspect I particularly love in this version (seeming to make a lot of sense) is that she’s a little older. It’s fascinating to see how the town has ostracized her (and how she’s grown accordingly) and then as Harold Hill publicly values her -- pursuing her in a thoroughly gentlemanly fashion -- she starts becoming valuable in other people’s eyes as well. It’s lovely.


Matthew Broderick does a great job with the singing and an excellent job as Harold Hill. A con artist, he’s yet genuinely concerned for other people, looking out for their best interests and noticing the smallest details; entering into their lives and into their stories -- understanding their secret fears and hopes and dreams.


And, with perfect and utter courtesy, he turns their strait-laced, straight-buttoned, neat-as-a-pin world upside down, bringing life and resurrection to little, stubborn, holier-than-thou River City Iowa. (So yes, there’s some incredibly neat Biblical imagery there about which much could be said -- including the role music plays in all of it.) But, even with all that wonderfulness aside, the story is just pure and delightful fun.


In short, it’s quintessential small town America. In the summertime. And the humor throughout is priceless.




The cinematography is beautiful and -- energetic and dynamic from the very first scene -- with the vibrant tweaks in storytelling it’s an absolutely top notch remake of an old classic!!

Tell me! Have you seen this Music Man and what do you think?












(Reviewed for Miss Laurie’s Period Drama Challenge 2016.)

Saturday, April 30, 2016

Three Dashes of Poetry

In honor of April's being poetry month, my good friend and fellow blogger Hamlette has been hosting a grand month long celebration! (Be sure to check it all out HERE.) Hence, I'm here to contribute my official post. :)


#1


The adventure of our lives brims over with great fluctuations and contrasts and sometimes everything happens at once. As I'm in the midst of wedding planning, it seems that every day is also freshly and visibly bringing my great-grandma closer to the hour when she will stand face-to-face with her Lord in the heavenly spaces.

And the thought of that glory is enough to take my breath.


At 103, my great-grandma has been gifted with an incredibly full and amazing life. An artist, adventurer, world traveler, music and history lover, and a voracious reader, she's an amazing woman, her memory filled with marvelous stories. I wrote the following short poem for her a few years ago. Including it here seems fitting:

Moments in the Hundred Years of a Painter
A bright mind and a long life--God has given--
And a deft hand--catching vignettes
Of the cosmic strokes of the Master.
A spinning wheel--done motionless.
Barns--sleepy and still; brown, orange, and red--
Green in a foreground tree.
A little girl, bright-haired under scarlet flowers.
Mountains, rivers.
The little girl again--in an orchid hat.
A small boy--red with delicious sauce.
Dashes of light, captured in color,
Vignettes--small corners on the great canvas.
A long life, a bright mind, and a deft hand--
Has the Master given.
Heidi Peterson


#2


My second contribution comes from Dante's Divine Comedy. I first ran across it in one of my favorite essays in The Christian Imagination edited by Leland Ryken and I promptly read it so many times I memorized it. It inspired me to read the entire Comedy, which I'm now so glad I did! I don't agree with all the doctrines and positions in the Comedy, but (allowing for some literary license) it's deep and brilliant and justly deserves its masterpiece status. This passage is absolutely thrilling and always convicting. I'm including the short intro from the essay by Janine Langan:

"The Divine Comedy records the imaginative reeducation of a very great Christian poet, Dante, by a very great pagan poet, Virgil. Virgil's first lesson is a blunt one (Inferno ii, 43-49):

"If I have understood what you have said"
Replied the shade of that great-hearted one,
"Your soul has been assailed by cowardice,
Which often weighs so heavily on a man--
Distracting him from honorable trial--
As phantoms frighten beasts when shadows fall."


#3


And.... there are so many many other dearly loved poems I'm really at a dreadful loss what to highlight for my third, hence I'll leave you with one of my best loved, Tip Top Favorites Of All Time:

"All that is gold does not glitter,
Not all those who wander are lost;
The old that is strong does not wither,
Deep roots are not reached by the frost.
From the ashes a fire shall be woken,
A light from the shadows shall spring;
Renewed shall be blade that was broken.
The crownless again shall be king."
J.R.R. Tolkien, The Fellowship of the Ring


Tell me! Are either of those second two your favorites as well? :)




Sunday, March 27, 2016

Resurrection Day ~ The Year of Our Lord 2016


At the Name of Jesus


"At the name of Jesus every knee shall bow,
every tongue confess him King of Glory now.
'Tis the Father's pleasure we should call him Lord,
who from the beginning was the mighty Word:


 "Mighty and mysterious in the highest height,
God from everlasting very light of light:
in the Father's bosom with the Spirit blest,
love in love eternal, rest in perfect rest.

"At his voice creation sprang at once to sight,
all the angel faces all the hosts of light, 
thrones and dominations, stars upon their way,
all the heavenly orders in their great array.


"Humbled for a season, to receive a name
from the lips of sinners unto whom he came,
faithfully he bore it spotless to the last,
brought it back victorious when from death he passed.

"Bore it up triumphant with its human light, 
through all ranks of creatures to the central height, 
to the throne of Godhead, to the Father's breast; 
filled it with the glory of that perfect rest.


"Name him all creation name him, with love strong as death,
but with awe and wonder, and with bated breath;
he is God the Saviour, he is Christ the Lord,
ever to be worshipped, trusted and adored.

"...Brothers, this Lord Jesus shall return again,
with his Father's glory, with his angel train;
for all wreaths of empire meet upon his brow,
and our hearts confess him King of Glory now."
Caroline M. Noel


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