Showing posts with label Action. Show all posts
Showing posts with label Action. Show all posts

Friday, February 26, 2021

Movie Review // Double Crossbones (1951) with Donald O'Connor & Helena Carter

This story is So. Much. Fun.

Filmed in a vibrant, vivid splash of Technicolor, it includes such a swashbuckling group of jovial pirates as I'm sure ye’ve never seen (Blackbeard, Avery, Ann Bonney, Morgan, Kidd – the whole lot of ‘em). 

And there be magnificent boots and feathers a-plenty.

It’s the definition of slapstick (i.e. from Britannica: “Slapstick, a type of physical comedy characterized by broad humour, absurd situations, and vigorous, usually violent action. The slapstick comic, more than a mere funnyman or buffoon, must often be an acrobat, a stunt performer, and something of a magician -- a master of uninhibited action and perfect timing.”)

Donald O’Connor is one of my favorite classic actors and -- as our hero Davey Crandall -- he shines in every line of that description. (Honestly, the headliner pirates only play small parts as the entire thing is driven by the daring deeds of our intrepid hero, determined to save his lady -- single-handed if need be -- from the clutches of the powerful and truly dastardly villain.) 

Ok, so here we come to my quandary. For weeks I’ve been planning to do a narrative style review for this (which would be whole heaps o’ splendid-ness), buuuuuuut as I rewatched it this week I realized so much hilarity is built into the twists and turns themselves that it would be double spoilage to say anything about it. So my lips are, hence, sealed on any and all plot points. (But again, please understand we’ve come to this turn of events not because there’s nothing to say but because I’m determined not to deprive you of a single delightful laugh. So please please duly appreciate my self-restraint. xD) 

But we do have to say a teensy bit more to make this a proper review + of course look at the costumes a little. 

The supporting cast does a good job, and it has the distinction of having a young James Arness among Bloodthirsty Dave’s crew -- so that’s fun. 

Davey’s sweetheart -- Lady Sylvia, ward of the governor -- is played by Helena Carter. I’d forgotten they starred together four years before in Something in the Wind. (Not my favorite, though it has two bright spots, Donald O’Connor being one of them. I’ll have to review it sometime, but that’s for another day.) Anyway, I really like how they play off each other. 

And Lady Sylvia wears some lovely and ornate haute couture gowns. 


The back of the blue

Sorta fuller view of her quilted green ensemble aboard ship

As aforementioned, Davey is gallant and sweet. And you also get the sense (if such untoward events weren't underway and he wasn't distracted doing a lot of growing up very quickly -- what with running for his life and fighting an Arch-Enemy and all that) that he could be rogue-ishly and playfully mischievous with the best of them.

(Picture worth a thousand words aka my last ditch attempt to persuade you to watch this asap if you haven't already. Either way, if you have or if you haven't please feel free to leave your thoughts in the comments. xD)

The plot's a tad unlikely in places, but the story sparkles, and I think it's essential to just take it as intended. Content wise, it’s thoroughly family friendly -- with nary a bad word or scene in the entire thing and all the fighting quite bloodless. 

In conclusion: charmingly sweet, deliciously ridiculous, and frightfully funny, Double Crossbones most certainly needs to go on your watch list. I’d love to hear if ye’ve seen it! 

Till next time, my hearties!

Posted for Hamlette’s Pirates Week. (Thank'ee for hosting, Rachel! 😊)

Thursday, November 12, 2020

Inklings // November 2020

It's high time for our November Inklings! For more see the first post here or the rules below.

Rules:

1. At any time during the month, on your own blog post a scene from a book or film that matches the prompt, including a link back here in your post.

2. Leave a link to your post in the comments section on this post and I'll post all your links with the next prompt. That's it!

October Round-Up:

 

~

So I know turkeys -- or rather, more importantly thankfulness and savory feast days -- are synonymous themes with November, but... I freely confess I decided to do the following topic to get another one of my fall selections in that I was debating last month. Plus the topic just sounds like a lot of fun. xD

(Also, I'm waaaaaaay behind with replying to comments everywhere. Part of the reason: apparently blogger won't communicate with my computer re the comments box so I have to use my phone :P, but I very much enjoyed everyone's entries last month and am still hoping to leave a bunch of proper comments soon. <3)

November's prompt is:

A character making an undignified splash in book or film (i.e. landing in the likes of mud, or water dumped over their head etc.) 

And now for my entry! Which is.... this. From Ever After. Of course. Surprisingly, there aren't any Youtube clips for this scene (and I searched pretty hard), but I think you'll get the idea. As the prince is on the run near the beginning -- trying to escape the responsibilities of his birth -- he stumbles into an unexpected scene on the road and ends up taking a spill in the process of recovering someone else's stolen property.





Have you seen Ever After?


Looking forward to seeing what you all come up with! Have fun!

Friday, September 25, 2020

Beregond // A Character Sketch (+ a short rant)

So! *clearing throat and trying to properly marshal the facts* This will be both short(er), (sweetly) to the point, and also more rambly than my usual sketches. All to say, I make no apologies. 

First for my rant. (And remember, this is all in good fun. Well, mostly. xD) 

I’ve mentioned it a couple times recently, but the plan is (very shortly, like, probably before Christmas) to get together with a couple friends and work our way through the full length, extended version of LOTR (hopefully also while sipping warm and cheering fall drinks and nibbling on pasties and seed cakes), all of which will be utterly splendid and I’m really getting very very excited and champing at the bit. I mean, seriously, this is going to be epic! ;D 

Also, I’ll have you know that, in general, I’ve become much more forgiving and broadminded than I used to be in days gone by of artistic license happening when translating a book to film -- and I’m bracing myself for the changes that I know were made with certain characters (not promising to like or even accept these particular changes, but there’s not much sense in my discussing those till I’ve at least seen it). 

But, there is still one major thing that’s been bugging me exceedingly this week (and nothing to do with Hamlette's utterly and entirely splendiferous Tolkien Party -- my delving into the books preparing posts and getting ready for the read along is just what brought it to mind). 

And note: this is an entirely personal matter and I won’t be critical if you love the movie version. Also I don’t mean to cast any aspersions on the casting or acting (cause again, not qualified to judge on that yet), but I am finally ready to admit publicly that part of the reason I haven’t seen them for so long is the way they chose to portray the men of Gondor -- part and parcel, the whole lot of ‘em. (It’s really rather deeply disturbing to me. ;D) Again, I’m not talking about how well they did or didn’t handle their roles, or the choices of the director and scriptwriters. I’m talking solely about the fact that the warrior men of Gondor are always supposed to be dark-haired and grey-eyed

For many years, I actually always pictured Faramir much like this: 

Now before there's any general outcry, I will say I’ve realized my mental image has shifted slightly. Now it’s something more like… 


…this, I guess? Maybe? 

Anyway. 

I haven't seen all the sources for these so purely going off the visuals (and of course allowing for the fact that all of them wouldn’t be wearing crowns, of course). Also, yes, to prove my argument, some of the pictures should be even darker, but hey. I’m doing my best here with certain limited resources to translate what’s in my (crazy but IMHO also very sensible) brain. 

We’ll start with Boromir -- the first man of Gondor we meet, and I feel like the one who sets our whole level of expectation, in many ways archetypal. From The Fellowship of the Ring: “…seated a little apart was a tall man with a fair and noble face, dark-haired and grey-eyed, proud and stern of glance. 

"He was cloaked and booted as if for a journey on horseback; and indeed though his garments were rich, and his cloak was lined with fur, they were stained with long travel. He had a collar of silver in which a single white stone was set; his locks were shorn about his shoulders. On a baldric he wore a great horn tipped with silver that now was laid upon his knees. He gazed at Frodo and Bilbo with sudden wonder.”

And Denethor. Denethor is not -- very much not -- supposed to look like a Dickens character in a barrister's wig. (Sorry, I know that was strong. Biting even. But I told you, I find this all unsettling. And I will grant that some pictures of Denethor are better than others.) 

“…the old man looked up. Pippin saw his carven face with its proud bones and skin like ivory, and the long curved nose between the dark deep eyes; and he was reminded not so much of Boromir as of Aragorn.” (So that’s interesting.) And later: “Denethor looked indeed much more like a great wizard than Gandalf did, more kingly, beautiful, and powerful; and older.” The Return of the King

The descriptions of Faramir are more scattered and tied in with dialogue, but we know he looked much like Boromir. And there are these two snippets from The Two Towers: “Doubt was in the grey eyes that gazed steadily at Frodo.” And “(Faramir) stood up, very tall and stern, his grey eyes glinting.”

(Annnnd… just flipping through this section I have to hold myself back from lapsing into long rabbit trails, especially The Window on the West chapter <333.) *Ok, sternly collecting myself and saving it all for the read along* 

BUT, I am going to afflict you with the following, just cause I like it so much, and because I can, and as a reward for my not giving any spoilers from TWotW above: “Presently Pippin saw torches, and followed by a press of people two horsemen riding slowly: one was in white but shining no longer, pale in the twilight as if his fire was spent or veiled; the other was dark and his head was bowed. They dismounted, and as grooms took Shadowfax and the other horse, they walked forward to the sentinel at the gate: Gandalf steadily, his grey cloak flung back, and a fire still smouldering in his eyes; the other, clad all in green, slowly, swaying a little as a weary or a wounded man. 

“Pippin pressed forward as they passed under the lamp beneath the gate-arch, and when he saw the pale face of Faramir he caught his breath. It was the face of one who has been assailed by a great fear or anguish, but has mastered it and now is quiet. Proud and grave he stood for a moment as he spoke to the guard, and Pippin gazing at him saw how closely he resembled his brother Boromir—whom Pippin had liked from the first, admiring the great man’s lordly but kindly manner. Yet suddenly for Faramir his heart was strangely moved with a feeling that he had not known before. Here was one with an air of high nobility such as Aragorn at times revealed, less high perhaps, yet also less incalculable and remote: one of the Kings of Men born into a later time, but touched with the wisdom and sadness of the Elder Race. He knew now why Beregond spoke his name with love. He was a captain that men would follow, that he would follow, even under the shadow of the black wings.” The Return of the King 

So now we come to Beregond, who’s one of my favorite minor characters in the entire LOTR. He actually doesn’t occupy a terribly large amount of page space (though a large-ish amount for a minor character), but the role he does have is crucial and the tidbits we learn about him are fascinating. 

He has family roots and heritage running right back to the old glory days of Ithilien. It’s obvious that he’s a good father and he seems to have strong family feeling as he looks out over those leaving the city, lamenting all those being separated, possibly never to be reunited. 

I don’t have any deep symbolism on him for you at the moment and, honestly, I can see film-wise why he was considered extraneous, but it’s still a pity. For me he makes the whole conflict even more relatable. He’s the Everyman (kind of). 


Valiant and courageous, his character shows very clearly the shifting tides that come with war and the dangers of blind devotion to an old order. Honor is always honor, but in times of war things can get very messy. 

For starters, abandoning your post at all, but especially during war, is a huge thing. And his ongoing story is all wrapped up with the dilemma of whether or not you’re responsible if you’re just following orders. At what point do you have to conscientiously refuse? It’s the sticky spot when leaders fail and fall to the Enemy. 

He highlights the whole of the Stewardship-Being-Handed-Over-To-The-Rightful-King business. You have Denethor and Faramir’s polar opposite responses in this regard (more of which at another time) and then there’s the humble guard, Beregond, caught in the middle, showing how the whole problem isn’t black and white. Well, it is, because it’s not really a problem except Denethor made it so. HIS actions force the men under him into horrible decisions -- decisions which, if they are truehearted, means they have to take up sword against their brothers-in-arms and then rightfully deserve the death penalty for their actions. 

Denethor loved his son, too, but gave himself over to despair. In Beregond we have valiant hope -- sanity in the midst of madness. Even when things are darkest, you don’t go round reverting to killing yourself like a heathen king. And even if you don’t understand all the deep complexities of the fight and what’s happening round you, you stand by what you believe in the darkest hour -- or what you say you believe isn’t worth a penny weight. 

I don’t know. There’s just something about the picture of Beregond -- knowing whichever way things went, his own life would (so far as he knew) definitely be forfeit, still going to hold off the servants sternly following Denethor’s commands. It’s akin to the center of Gaskell’s North and South, where a lie is told to protect another, which lie incidentally proves verity of heart, but is nonetheless a sorrow.

So yeah, it’s all definitely an awful situation, not what we want as normal modus operandi. Though again, it comes back to what I was saying about how this all highlights the madness of Denethor and his entire betrayal to every last person (large and small) in forcing them into horrible corners. 

But the upshot is: Faramir is saved.

And Beregond doesn’t rest on his laurels or go into hiding, but into the front ranks facing the enemy outside the gates of Mordor. And of course, in the end Aragorn mercifully pardons him and sends him off as Captain of the White Company, in the guard of Faramir, for whom he risked life and limb. 

All of which, thinking of Beregond and his family, not just looking forward to a future of hope and joy, but actually commissioned to go to their ancestral homeland and take dominion and rebuild the ruins -- also probably visiting with the kingdom of Rohan in the service of Faramir and the White Lady and under the new King -- makes me very happy. <3 

(Ok, now that I’ve gotten a bunch of that stuff out of my system hopefully I can sit and watch the movie soon-ish without being hypercritical of this aspect. Or, well, to be more realistic, hopefully enjoy it without at least making any appalling, distractingly weird faces or comments. Thanks for bearing with me, y’all! ;D)

Oh! And of course I’d love to hear what you think of the post in general. xD If you've seen the movies, did you have any preconceptions that held you back in the beginning? And do you like Beregond too?

Friday, August 21, 2020

Legends of Western Cinema Week 2020 // Wrap-Up & Giveaway Winners

 
Well here we are at the end of our LOWC Week! Thank you so much to everyone for joining in and making it such a great time. :) 
 
 
I'm not sure what all my schedule's like for tomorrow (hence deciding to post this today), but I'm hoping to keep reading through the entries and commenting on any that I haven't ASAP. Also, the party's technically still on, so keep the posts coming!


And our giveaway winners:

 
Sally Silverscreen ~ #1: Two sets of John Wayne playing cards
Hamlette ~ #2: Western word search book
MovieCritic ~ #3: Wanted: Dead or Alive, Season 1 DVD's

I'll be emailing you directly for shipping info etc., but thanks for entering, congratulations to everyone and I hope you enjoy your prizes!

Here again are all our entries for this week -- make sure to keep reading and visiting around if you haven't already. :)

 

Thanks again to everyone for participating. Till next time!

Tombstone (1993) // Main Score Theme

 
 
So… just so ya know, I am not an expert on film score composition and this post will not be full of deep intricacies or technical terms. I just love this piece so much and thought it deserves a good highlight during LOWC. ;) 
 
Also, this is not an unreserved endorsement of the film in its entirety -- we can discuss the historical accuracy another time, and content-wise it's definitely for mature audiences (personally I prefer to skip a couple moments/scenes); still, Wyatt Earp, Doc Holliday and all the rest are dyed in the grain western legends and Tombstone is one masterful bit of storytelling.

~

The main theme in this film just thrills. It marches and swirls with raw power and enchanting grace, both strong, and keeping perfect step with each other. Gigantic and amazing and tear-inducing, it makes you want to get up and cheer and run a hundred miles. It completely blows away any mental cobwebs. You can hear the single minded focus. It's stirring and militant. And then there’s the pounding, soaring longing. 

Whether or not you enjoy the movie as a whole, IMHO this -- as the credits roll and they march into legend -- is one of the most epic moments in western film, and one of the most perfect combinations of filming and musical score you’ll ever see.  

WATCH THIS and tell me it ain’t so! ;) 

(P.S. Forgive the graininess, it’s the best I could find. :p)

Wednesday, August 19, 2020

~ My Tag Answers for Legends of Western Cinema Week 2020 ~

1) What's the last western you watched? 

The Fastest Gun Alive (1956).

2) A western of any stripe (happy or tragic) where you were highly satisfied by the ending? 

Apart from my top favs (cause, for me, I have to be very satisfied with the ending for it to land on that list a'tall, obviously) and I've only seen it once, but I was floored with how much I actually enjoyed The Gunfighter (1950) with Gregory Peck. It does end with a funeral, but somehow it's not ultimately tragic. It was gripping and just ended up giving that deep "ahaaaaaa" feeling. 

3) The funniest western you've seen? 

Um... of the ones I feel like mentioning at the moment (and I know it might not be everyone’s cup of tea and I really have to do a Deeper Examination post one of these days), but the 2013 Lone Ranger took me by surprise. There are so many unexpected lines, quirky funny camera angles, and oft-times dead pan delivery; I was literally giggling while watching (and now cracking up writing this), so we'll go with that one. 

4) What similar elements/themes show up in your favorite westerns?

For more of why I deeply love westerns you can click here, but manly friendships/brothers in arms/a good sidekick pairing, and loyalty. I’ve also been thinking a lot the last couple weeks about how manly men are sometimes a bit rough round the edges and how that comes out so perfectly in westerns. There’s evil to fight right there in front of you and it isn’t a time for mincing words and feel-goodiness. Men and women stand strongly and unapologetically for what they believe in, because generally they believe it’s worth dying for. 

5) Favorite actress who made one or more westerns? 

Ooh, this one’s super hard… There are so many lovely, talented actresses, but Claire Trevor would be high on the list, and Katy Jurado's talent and interpretation of her role in High Noon is excellent.

6) Favorite western hero/sidekick pairing? 

I can't decide if it's your typical sidekick situation, but one that keeps coming to mind a ridiculous amount lately is Jeff Butler (Joel McCrea) and Dick Allen (Robert Preston) in the 1939 Union Pacific. It's all a long standing, erstwhile friendship, with one friend turning to scoundrelly ways. And at such times real, deep, have-your-back, loyal friendship hurts. 

And there's a love triangle. And lots of outside tensions and pressures and sticky situations that land them ultimately in a giant shootout (which isn’t really between each other... it’s complicated), and it's so big and huge and leaves me in an emotional puddle and I still want to break down in floods of tears whenever I think of it. And after all that it still has a happy ending. *sniffing for all the deeply right reasons* 

7) Scariest villain/antagonist in a western?  

Apart from some spaghetti westerns (where the villains tend to be very despicable and scary to boot), Jack Elam's character in Rawhide (1951). Everyone's ok, but the way he plays out the ending makes your stomach drop through your boots. Of course, because it's a classic oldie though, the final climactic shoot out with the hero is epic. 

8) Favorite romance in a western?

 
Ringo and Dallas in the 1939 Stagecoach

 Always. <333 

9) Three of your favorite westerns? 

Soooo... what to do, what to do... *tapping fingers on keyboard in long indecision...* You’ve all heard about my top favorites list before (which list is due for a teensy shuffle and shake up anyhow), so going instead with the ones that I want to drop everything and watch right here and right now, at least bits and pieces: 

Wanted: Dead or Alive

 

The Magnificent Seven

Silverado 

10) Share one (or several!) of your favorite quotes from a western.

 
 
“I've got two guns. One for each of ya.” Tombstone 

“If anything’s worth having, it’s worth fighting for.” 

“If you want a man to do a job, don’t take away his tools.”

Both from Wanted: Dead or Alive

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